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Театр не отображающее зеркало, а — увеличивающее стекло

Кузя в Мариинке

С раннего детства человек знакомится с театром. Первый выход ребенка «в свет» происходит с торжественного посещения театра кукол. Родители одевают детей по образу и подобию марионеток на сцене и твердят, что «В кроссовках нельзя. Хочешь выглядеть дикарем?». И в этот момент театр представляется не местом просвещения и чувств, а учительской, где тебя оценивают и ставят двойки за поведение и внешний вид. Далее происходит знакомство с драматическим театром. Молодой человек в смокинге или бальном платье в очередной раз смотрит «Евгения Онегина» и предугадывает дальнейшие жесты и движения актеров. Сидя на последнем ряду зала, рассчитанного на полтысячи зрителей, он не видит и не слышит актеров оперы и балета. Так в человеке пропадает интерес к театральному искусству. Но что, если существует сцена без сцены, где зритель и актёр сливаются в едином жесте? Пристанищем для разочаровавшихся может стать набирающий популярность вид театра – камерный. 

Сериал «Домовенок Кузя»

От князей до соседей с дрелью

Камерный театр – это особый вид театрального искусства, предназначенный для постановки интимных, часто экспериментальных спектаклей. В отличие от театра, где зритель сидит в зале, а актёры выступают на большой сцене, в камерном театре все происходит в уютном пространстве. А в спектакле принимает меньшее количество актеров. Это место, где зритель может открыть для себя новые грани театрального искусства.

История камерного театра начинается в XVIII веке, когда в Петербурге семьей Юсуповых был открыт первый домашний камерный театр. Он был точной копией Большого театра, но только был рассчитан на сто пятьдесят человек. Затем этот вид театрального искусства приобрёл популярность в Европе. Особую популярность имел Интимный театр Августа Стриндберга. И уже в XX веке стал неотъемлемой частью театрального мира. Сейчас камерные театры нередко создаются любителями в любом пространстве, где можно разместить хотя бы тридцать человек. 

Искренняя альтернатива БТ

Нередко камерные театры находят приют в многоквартирных домах, отсюда и специфика их формата. Зрительские кресла находятся на расстоянии вытянутой руки от «сцены». Но и она в камерном театре необычна: сцена находится на одной высоте с полом и отличается лишь черным покрытием. В силу ограниченного пространства редко где можно увидеть кулисы, отчасти поэтому все спектакли являются одноактными. Но вопреки всем неудобствам режиссеры проявляют поразительную смекалку и дают волю своим фантазиям и творческим решениям. Например, в одном театре антресоль, пристроив лестницу, переквалифицировали в воображаемые второй этаж и мостовую. Такие решения расширяют топос произведения и позволяют перенести место действия на несколько уровней, вовлекая зрителей.

Главным преимуществом этого вида театра для ценителей является именно особая атмосфера. Актеры играют прямо перед зрителем, они не имеют возможности сфальшивить или соврать, ведь каждая эмоция, жест не остаются без внимания. Люди наблюдают реальную жизнь, вырванную со всеми ее проявлениями, и это способствует погружению, ведь ни одна стереосистема не передаст шарканье тапочек и рваное дыхание, как человек.  Камерный театр – пространство максимально правдивое и это подкупает.

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66 thoughts on “Театр не отображающее зеркало, а — увеличивающее стекло

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